Entries in The Furious Seasons (2)

Wednesday
Aug152018

Reviews by Paul McGee

Raven and Red We Rise Up Self Release

This Nashville based 5-piece release their debut album and the creative core of the band is Brittany Lynn Jones (lead vocal, violin, tenor guitar, mandolin & banjoin) and brothers Mitchell Lane (lead vocal, 6 & 12 string guitars) and Cole King (Mandolin). On this release they are ably joined by Paul Leech (electric & upright bass, cello) and Justin Collins (Drums, percussion). Excellent musicianship throughout and some superb harmony vocals. Plenty of highlights across 12 tracks that include Mirror To My Soul, It Could Have Been You, Moonshine and Makeup (One More Mistake), Grandpa’s Beer and We Rise Up

The stand out track is Wild Roses which also gets a reprise later in the song order, augmented by Winter Raven and World Traveller. Brittany weaves her 5-string violin through the melody lines with great skill and touch while the mandolin playing of Cole and guitar augmentation from Lane lead to a heady mix of Country, Folk and Bluegrass sounds that would lighten up any gathering of musical minds.

Cold Tone Harvest After You Copycats

What an impressive debut. This band is from Plymouth, Michigan and is comprised of Andrew Sigworth (acoustic guitar/vocals), Daniel Ozzie Andrews (acoustic bass/bass guitar/bass banjo), Brian Williams (drum/banjo) and Tony Pace (Dobro/lap steel/electric guitar).

Formed in 2008 and with a couple of EPs to their name, this full-length album is packed with terrific songs and some superb playing. All songs were written by Andrew Sigworth with the exception of Adeline, written by Anthony Price and a cover of Out On The Weekend by Neil Young. Adeline, Wake Me, Stealing Roots and Hold On all show different colours of this band and the trade-off is so engaging between restrained, slow tempo arrangement and full-on melody lines; equally compelling and measured.

Lap steel features throughout and lifts the song arrangements along with Sigworth, who has a particularly arresting vocal and his tone sits perfectly into the organic playing of the band as they trade off with lap steel, banjo, dobro and guitars, playing around the rhythm and tempo established by Ozzie Andrews and Brian Williams. 

They are not afraid to stretch their quintessentially country sound into new areas and the use of trumpet, tuba and trombone on a few of the later tracks is superbly judged as are the touches on violin/vocals (Erin Zindle), cello (Christina Furtado) and mandolin (Jay Lapp). There are additional guitar, keyboard & vocal parts from Chris Dupont and the 12 songs are uniformly impressive in their construction and delivery. One of the finds of 2018 without a doubt.

The Furious Seasons Now Residing Abroad Self Release

Based in Los Angeles, the contemporary folk sound of this trio is very rewarding and the playing is both understated and free-form with an easy, jazz-like groove. 

Davis Steinhart (acoustic guitar, percussion, vocals), Jeff Steinhart (bass, keyboards) and P.A. Nelson (acoustic, slide, resonator, high strung and electric guitars, vocals) produce a fine warm session across 13 tracks. 

The guitar work is very special and elevates the music on songs like Tethered, Fort Knox, The Muse, Marathon and Airtight display a mellow, gentle sound that is very appealing. Perfectly captured by the upright bass and fine guitar lines of So Sorry Adele on this, a sixth release that highlights their dedication to create clear, no frills melodies. Quietly contemplative and executed with grace and no little talent.        

 Seán Millar and Jon Sanchez It All Ends Tonight Self Release

Four tracks over sixteen minutes, the meeting of two minds and a lot of quality in the grooves. Séan Miller is well known in Irish music circles as an eclectic warrior of the bright and beautiful in song composition and creative thinking. Never one to shy away from a challenge, his career has taken him into the occasional cul de sac, but his bright light always finds a way home and guides him onto greater journeys. Here, he teams up with Jon Sanchez, one of the top guitar players in Texas who has played with, among others, Alejandro Escovedo and Rocky Erickson. It is a stripped down recording played live and produces music that is compelling with an acoustic rootsy feel to the arrangements.

Everyday’s A Holiday tells of a family dominated by an abusive Father, (street angel, house devil). There is a sense of liberation for the abused and downtrodden with the message that out of dark deeds, bright days can appear. The Gang is a reflection on being misunderstood and misjudged. Wayward youth looking for meaning. 

It All Ends Tonight speaks of loneliness and the need for intimacy. Bordering on the obsessive almost, in search of a dream? Like Jesus and Satan… Savage Pride is an anti-war protest song with the undercurrent of righteous indignation. Youth taken and hurled off the cliff like lemmings in a power play! 

Jon Sanchez plays electric guitars, piano and santur (hammered dulcimer). Seán Millar plays acoustic guitar, bass and sings. Daragh O’Toole plays organ. Recorded by Jon Sanchez and mixed by Daragh O’Toole, this is hopefully a teaser of more superb collaboration to follow… Watch this space?

Sugar Brown It’s A Blues World… Calling All Blues Self Release

Born in Ohio, moved to Chicago, this artist is authentic Blues at its best. Sugar Brown is back with a vengeance on his third release. Hummingbird kicks off with a tight rhythm, channelling the juke joint sound of the prohibition 20’s, barrelhouse piano adding to the magic created by electric guitar and baritone sax in the background. 

All songs are written by the man himself, although the second track, Love Me Twice, sounds just too close to BB King’s The Thrill Is Gone, for comfort. Hard to be truly original when it comes to the blues I know, but Sugar Brown always walks a tight line between innovative guitar playing and a nod to the past in aspiring towards a contemporary sound. The sweet tension created in Lousy Dime is reminiscent of a Tom Waits arrangement while the fiddle playing of Minnie Heart is very memorable. The shuffle in Sure As The Stars has a JJ Cale vibe running through the guitar playing with a ‘less-is-more’ groove. 

The title track is a slow burn with great piano and guitar parts as Sugar builds to a band coda. The acoustic blues of Hard To Love and Brothers bring out the preference of Sugar for analogue recording equipment and old microphones in what are timeless performances, as is the following track, Out Of The Frying Pan, which channels some of the great signature Blues sounds. The harmonica on What I Know and the front porch swing of Tide Blues are also a real joy. 

Not a weak track here and yet another testament to the talent on offer. If you want authentic blues, played in a traditional fashion, no frills, just great dynamic and skill, then look no further.

Lucky Bones Matchstick Men Self Release

The third release from Dublin singer song-writer, Eamonn O’Connor (aka Lucky Bones) and one that builds strongly on his reputation as an artist of real quality, who has been operating under the radar for a number of years now, but deserving of much greater recognition. The song arrangements are upbeat in tempo and reflect a band ethic rather than on previous releases which were more grounded in the familiar singer-songwriter tradition. 

Produced by Gavin Glass at Orphan Studios in Dublin, the playing is excellent throughout, dovetailing perfectly with the arrangements and melodies. The studio musicians are members of the Lucky Bones band; Conor Miley (guitars), Leon Kennedy (bass), Peter O’Grady (keyboards) & Binzer Brennan (drums). Gavin Glass also played on the project and the musicians add plenty of colour to the sensitive singing and words of Lucky Bones. I am sure that these songs would resonate equally well in a solo acoustic setting.  

The title track is written for Eamonn’s Father who passed away recently and it is a very poignant and heartfelt performance that sets a high standard for the rest of the album. Indeed, there is a sense of looking back at the years gone by and reflecting on lessons learned throughout. The sound channels Snow Patrol meets Del Amitri in places and the perspective of experience is never far away with a certain rueful melancholy running through the songs. 

The frustration and defeated stance of Neon Morgue give way to the hope and comfort of Home To You, with Ireland depicted as a long-missed girlfriend in a clever juxtaposition. These are mature insights into a life lived and the wistful vocals blend beautifully with the music on tracks like Gone and The Things That We Take In

The final song, The Walls, just nails it with a terrific arrangement that builds to a cathartic climax, a bare look at insecurity and sleepless anxiety; “Invent doubt, it’s all I ever do, Me, the walls, the moon”.

Such a fine release and well worth checking out.

The Needables Tales from the Fish Tank / Deep Down At The Bottom Of It All Self Release

Two Eps and a few years in-between. Met Floyd and Beat at a recent Birds of Chicago gig in Kilkenny, where they played support. What came across onstage was a pair of talented players having fun and producing a fine sound. They kindly gave me their music to listen to and review, after the show.

Funding a studio release is not for the faint hearted and this probably hints at why the band has preferred EPs to full-length albums thus far. Tales... first appeared in 2015 and includes 6 tracks that vary from the upbeat, good time sound of Bringing It Home and the easy swing of You Won’t Cry, to the slow strum of Oh Chicago and the reflective acoustic sound of It’s Better Forgetting The Things You’ve Done and Rainy Day Blues

Deep Down… appeared in 2017 and the unifying impression across both recordings is the excellent harmony vocals, coupled with guitar and mandolin, as these six songs continue to build upon the progress made by this talented duo. Baby I’m On My Way is a positive message and both Harder To Say Goodbye and These Dreams Of You are strong examples of song-writing that resonates after the songs have ended. Right Time has a good tempo and some great harmonica while closer, Guess It’s Better Late Than Not At All, slides along at a quiet pace and leaves you wanting... just one more. An act to watch out for.

Ashleigh Flynn & The Riveters  Home Perm     

This release marks a change of direction for an artist who grew up with bluegrass music and released a number of prior albums under the Americana/Folk banner. In the studio she again turns to old friend and collaborator Chris Funk (The Decemberists) who produced the project and recorded at the Halfling Studios, Portland, Oregon.

Ashleigh Flynn has turned to an all-female band, named The Riveters and they certainly kick up a storm with the dynamic guitar of Nancy Luca at its centre. Ashleigh contributes vocals/acoustic guitar and is aided by Nancy Luca on electric guitars, Carmen Paradise on bass, Jolie Clausen on drums, Jenny Conlee-Drizos plays organ/piano, Kathryn Claire on fiddle/backing vocals and Ara Lee backing vocals. 

The 10 songs are penned by Ashleigh with five co-writes, and a sound that switches between straight out Rock and Pop arrangements. The first six tracks hit hard with a sense of either The Runaways meet the Black Crows or the Stones giving Sheryl Crow a turn at the microphone.

The playing is very strong throughout with the guitar driven riff of This Love repeated on tracks like Cold Black Line and You Will Remember. The Pop sound of tracks like The Sound Of Bells, Too Close To The Sun and One Moment is replaced by the slow groove of Shrouded Sun and the influence of country roots returns on the final tracks with High On A Mountain and the standout Big Hat, No Cattle sealing the deal. So, a little scattered in direction but this is no rifle that Ashleigh is shooting; more like a shotgun aiming to hit as wide a target (audience) as possible. They sure seem to be having fun doing it too.

 

Saturday
Jul082017

Reviews by Paul McGee

Eileen Kozloff Just Words MoosiCowlia

The sleeve says to file under Americana/Country and who am I to argue? However, on listening to these songs the sound has more in common with traditional Folk music to these ears.

The opening track, Always Wrong From The Start, sounds like a Mark Knopfler riff with John Kelly playing very fluid electric guitar melody.  The pedal steel on Coming Back To You has Rob Pastore turning in some fine backing runs. Guitar Man sounds like a Neil Young tribute complete with harmonica part from Hank Woji, who also produced the album and chipped in with acoustic guitar parts on a number of tracks. The violin of Jeff Duncan comes to the fore on 5,775 to dramatic effect in setting an atmosphere for the acoustic guitar work of Eileen Kozloff .

And so, the rest of the project unfolds across the 11 songs included here. Autoharp dominates the arrangement on To The River I’ll Go and there is a distinctly Folky feel to the traditional sound of No More War Anymore and the sweet strum of Asunder and Take Me Back

Eileen Kozloff is a multi-instrumentalist who has been actively involved in the autoharp world for many years. She is best known for her unique "pick-less" style of diatonic autoharp and for her clear vocals.

She has released two critically acclaimed CD’s with her former band, Well Tempered String Band and is now performing as a solo artist having released Solitary Rider (2006) and Hearts And Souls Entwined (2007). Both recordings were released under the Moosicowlia Label and this third release builds on the positive critical reaction she has been receiving. 

The Furious Seasons Look West Stone Garden

This band is based in L.A. and has released four previous albums as a 5-piece. This project is an acoustic affair with David Steinhart and Paul Nelson on acoustic guitar and vocals and Jeff Steinhart on stand-up bass. 

The vocal harmonies are beautifully mixed with some excellent playing and the understated nature of the production leaves plenty of room for the talents of these players. Lyrically the songs address relationship issues in all their different guises. 

Long Shot speaks of working through difficult times and What’s Coming Next laments over a past relationship now ended. Best Plans deals with the loss of a business while The Tape charts the life of an older family member who lived through hard times. Summer Flame is a memory of young days and innocent beginnings.

The final song is superbly crafted and tells of 4 friends who shared close birthdays but sadly only one now remains alive. There is the suggestion of a drink problem in the lines; “Just this one”; Became early hours, I put another day to waste, I wish I’d never got the taste, You can believe that you’re not to blame? and Hey denial - have you met shame?"

Excellent stuff indeed and there is a nice warmth to the production, with the easy, fluid playing an understated joy. A gentle record to suit the mood on a lazy Sunday morning over a hot coffee and the hint of Spring in the air. 

Harrow Fair Call To Arms Roaring Girl

This duo is Miranda Mulholland (Great Lake Swimmers, Belle Starr) and Andrew Penner (Sunparlour Players). Miranda has built a strong reputation as a sought-after session musician and has played and toured with many top-line acts over the years, while Andrew Penner has been involved in Canadian Country music for many years now.

This release slots into the interesting & quirky world of the Handsome Family or the Civil Wars as a reference point. The playing and the production is innovative and edgy with songs like Call To Arms, Bite The Way and Hangnail challenging the listener with a dynamic that excites.

Recorded in Toronto and produced by Andrew Penner, the superb arrangements highlight the many talents of these two musicians who impress greatly. How Cold has a traditional folk feel with a modern treatment while Emmaline highlights the fine vocal of Miranda and the haunting, understated violin parts. It all comes together on the final track, Been There Ways with a haunting delivery from both musicians and an arrangement that leaves you wanting just one more song.

Well worth checking this one out and it just gets better and better with repeated plays.

The Fretless Bird’s Nest Self Release

The Fretless is a Canadian group of four musicians who play instrumental music on string instruments. They are made up of Karrnnel Sawitsky on Fiddle & Viola; Trent Freeman on Fiddle & Viola; Ivonne Hernandez on Fiddle & Viola and Eric Wright on Cello.

In 2012 they released their debut album, Waterbound, which was awarded Instrumental Album of the Year at the Western Canadian Music Awards. The Canadian Folk Music Awards saw the group win both Ensemble of the year and Instrumental Group of the Year. 

This new release sees the group take the traditional airs of past compositions and apply a current interpretation which keeps the music alive and vibrant. There are nine songs across 36 minutes and the dynamic in the playing is constantly shifting in order to hold the attention of the listener. Ronim Road/Bella Coola are two original pieces that sound steeped in the Irish tradition of jigs and reels, while Maybe Molly is an infectious jaunt across the sunny fields of a summer’s day. Hidden View is a more reflective arrangement, as is the closing track 38 & Gone.

Musically, the goals of the group are to expand the many folk genres they visit. All four members have come from very different traditional and contemporary backgrounds but are influenced to push traditional music as far as possible.

Jon and Roy The Road Ahead Is Golden Self Release

There is a nice groove and a low-fi appeal to this release from duo Jon Middleton and Roy Vizer who have released this new album – their 7th in a career that has seen them develop from an initial meeting at University. Hailing from Victoria, BC the vocals/guitar/harmonica of Middleton are perfectly in synch with the understated drums/percussion playing of Vizer. In the gentle song arrangements lie a hidden depth where on repeated listens the melody lines come through and the play Louis Sadava on bass is supported by co-producer Stephen Franke who plays Wurlitzer and piano. Roots/Folk music to calm the soul and tracks like Breakdown, How The Story Goes, Nothing But Everything, Every Night and Windowlinger in the mind and boast of a fine release that is worth checking out.

Annie Gallup Lucy Remembers Her Father Gallway Bay

Annie’s website describes this latest release as twelve new songs that are meditations on fragility, mortality, family, survival, and love. Who am I to disagree? Along with her close collaborator Peter Gallway, Annie Gallup has been releasing music of real depth and quality for many years now and she deserves due recognition for the musical vision and scope that is brought to the table. Visceral and challenging but never trite, her muse is worth the surfboard ride across the waves to a quiet destination. This release feels deeply personal, like eavesdropping on a conversation that you should not be listening to, but all the more compelling for the experience.  Hers’ is a singular talent, reflective and yearning for something just beyond our reach. Songs that deal with the past and the fragility of relationships are laid bare. Being Her Child, Lucy Remembers Her Father andBluebird explore the complexities of the family dynamic. Other tracks look into relationships, devious and needy; Loyalty, Strange Boy, He Will Never Love MeLuminary looks at estrangement and unresolved love with a curiosity while Story is a spoken word reflection on the pointless search for meaning in all the grief we encounter. Very impressive and rewarding but not for the faint-hearted.  

Rachel Sage The Tide MPRESS

This 4-track EP adds to the impressive catalogue of music created by Rachel Sage over a career that has seen her release a body of work that stands tall against many of her peers. Her accomplished and comprehensive catalogue captures a voice and music that hints at greatness and this current project sees the proceeds donated to one of the world's leading international refugee assistance organizations. Songwriters come & go but this lady is a real keeper – sublime composition and melody combine to create a powerful result. These are protest songs and reflect on the need for both empathy and acceptance in the World right now. The title track speaks about compassion and the need for everyman on our various journeys. Disarm Distrust is written for the victims of the recent Orlando shootings and Tomorrow speaks of euphemisms and hope.

Oh Susanna A Girl in Teen City Stella

This is a paean to the past from an artist who has taken a look through life’s infinite telescope to chart the path that she negotiated in order to arrive at a signpost that reads ‘What Next’? Produced by the talented Jim Bryson who contributes on guitar, keyboards & vocals, the 12 songs that cover almost 50 minutes read like a ‘dear diary’ exercise in exhuming a past that sits very much in the present tense. My Boyfriend, Getting Ready, Walked All the Way Home, Tickets On The Weekend and My Old Vancouver give a sense of what is at play here. Quality playing and production, allied with a strong song-writing talent make this as strong as her past releases and an artist well worth exploring further. 

Ted Russell Kamp Flying Solo PoMo

This accomplished artist has been a favourite of Lonesome Highway across his seven critically-acclaimed albums that nail the country / roots / Americana flag firmly to his mast. For this release, he has taken 12 songs and played them in a largely acoustic setting with six songs recorded at shows or radio stations and six as brand new songs recorded at his home studio, The Den. From the mandolin rhythm of Old Folks Blues to the soulful groove of If I Had A Dollar; the reflective acoustic strum of When She Flies and the bluesy beat and feel of Lookin’ For Someone, it is evident that all is well in the world of this talented artist and he has produced another work of creative depth as a solo performer.    

Worry Dolls Go Get Gone Self Release

After two EP releases (2011 & 2015) this duo decided to change their focus and relocated to Nashville in order to record this debut album. The ten tracks are a mixture of gentle, stripped back acoustic Folk and some up-tempo arrangements played with a quiet confidence and a focus to deliver work of an enduring quality.

Duo Zoe Nicol and Rosie Jones team up with producer Neilson Hubbard who has worked with artists such as Gretchen Peters, Kim Richey, Ben Glover and Amy Speace. Together they create some fine moments and the uncluttered arrangements allow the sweet melodies and hypnotic harmonies to flourish. She Don’t Live Here, Things Always Work Out and Someday Soon are three highlights and the experienced studio musicians add greatly to a relaxed feel and a gentle mood that soothes across the listening experience.  

Son of the Velvet Rat Dorado Fluff & Gravy

Don’t be put off by the very strange band name. Son of the Velvet Rat is the project of Austrian Songwriter Georg Altziebler and his wife Heike Binder. He plays a variety of instruments and she adds organ and accordion. They live in Joshua Tree and the California desert runs through the sparse mood of the ten songs shared here. Victoria Williams is among the notable musicians who add their talents to this project and the impression is one of ragged savoir-faire or, as producer Joe Henry says on the liner notes; songs that hint at bankable redemption. Fragile vocals counter the sweet melody lines of songs like Love’s the Devil’s Foe, Starlite Motel and Sweet Angela, while the loose feel of the recording, completed over a few days, is always to the fore. Moody and magnetic.