Chevron Lives @ Sugar Club - Sun 23rd Nov 2014

 

 

Philip Chevron lost his brave battle with cancer on 8th October 2013 and tonight at the Sugar Club we pay tribute to the man, his influence and the body of work he has left behind. The proceeds are destined for St. Francis Hospice in Raheny, who cared for Philip at his home in his final weeks, in recognition of the fine work they do.

A musician, a songwriter and a rebel soul, Philip Chevron spent a life in service of his craft. His sense of place in the history of Irish music should not be underestimated. If Joe Strummer was the voice of the common man and held as the image of non- conformity in the UK punk movement, then Philip was his Irish brother in arms.

The music of1970’s Ireland was populated by great characters like Philip Chevron, who embraced the rebellion of the punk movement and the march towards a DIY attitude to music. If you could plug in and power up then you were a player. The Radiators from Space grew out of this movement and went on to make a local mark on the Irish musical landscape, disbanding in the early 1980’s, returning to action in the early 2000’s.

Tonight we have two original members of the Radiators, Pete Holidai and Stephen Rapid, in the guise of the Trouble Pilgrims, who are joined by current members Johnny Bonnie (drums), Paddy Goodwin (bass) and Tony St Ledger (guitar).

Philip Chevron was a fine lyricist, writing songs that reflected what it was like to be uniquely Irish. Whether playing in the Radiators or the Pogues, producing music or collaborating with other artists, the words of songs such as Under Clery’s Clock, Ballad of Kitty Ricketts, Thousands Are Sailing and Faithful Departed are timeless and endure the passage of time.

The performances of all present on the stage tonight are both eclectic and original, with the fabulous talents of Púca Puppets, Lars Vincent, Cait O’Riordan, Daniel & Raymond Meade, Gavin Glass and the Holy Shakers and the Pilgrim Souls.

Master of ceremonies, Karl Tsigdinos, keeps the pace ticking along and there are no long delays between acts, which makes the evening more enjoyable and seamless.

We are also given readings and musings from writers Joe O’Connor and Roddy Doyle, so literate and very Dublin, beautifully performed and very apt to the evening. Brendan Behan is included with a musical version of his poem ‘The Captains and the Kings’and Agnes Bernelle is covered by Púka Puppets with an adaptation of a Brecht/Weill song.

From Glasgow, we meet Daniel Meade, a country singer who has recorded his new album Keep Right Away in Nashville and who plays an impressive set of songs before being joined by his brother, Raymond Meade - a singer/songwriter who Philip recorded with. Both are impressive performers and sing together with great harmony, as only siblings can. They play with passion and panache on this special evening.

Cait O’Riordan guests with a number of the acts and performs, as always, with confidence and that great smile.

Lars Vincent, a folk singer who is gaining a strong reputation, also performed with great enthusiasm and energy. He has a terrific voice and really contributed to the goodtime vibe on the night.

Gavin Glass has really developed into a significant Irish musician at this stage of his career arc. He is an accomplished performer and has assembled an impressive coterie of musicians in the Holy Shakers. We get a preview from his upcoming release ‘Sunday Songs’ and the band play with great feel and finesse. At times you can hear the influence of the Band / Wilco in the arrangements and delivery.

However, the nigh belongs to the Trouble Pilgrims who channel Philip Chevron perfectly with their set that closes the evening in a flourish of energy and verve. A great backbeat is coloured by the fine guitar work of both Pete Holidai and Tony St Ledger, while Stephen Rapid lifts proceedings to a new level with his imaginative synth playing on keyboard and Therimini, the latter controlled by hand movements.

We are treated to an unplugged version of Faithful Departed by Pete Holidai, who sits in a chair and lets the power of the spoken work deliver the salutary message contained in the lyrics. “There is no pain that can't be eased, by the devil's holy water and the rosary beads”.

A story that probably best highlights the spirit of Philip Chevron is the recent donation of three of the most prized guitars from his collection to the inmates of Mountjoy Prison. This is a new initiative that aims to use music to help rehabilitate prisoners.

Rock on Philip Chevron.

Review by Paul McGee Picture collage by Ronnie Norton

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Carrie Rodriguez @ Workman’s Club 12th Nov 2014

 

Tonight we are treated to one of the most compelling talents in modern Roots/Americana music with the Roadworks Tours presentation of duo Carrie Rodriguez and Luke Jacobs. No stranger to these shores Carrie has quite a reputation as a fiddle player and vocalist and she is ably supported by Luke on guitar and lap steel in an intimate setting that sets a warm atmosphere.

Carrie is a very confident performance artist, the result of endless live shows over the years and she has been feted by many international artists such as John Prine, Lucinda Williams and Chip Taylor for her special gifts.

The set tonight draws mainly from her most recent release, Give Me All You Got, which was issued in 2013. It is a wonderful listen and full of interesting songs, many of which are performed tonight in acoustic, stripped-down mode between the two players, as they spark off each other with some virtuoso and spontaneous playing.

Devil in Mind has some great fiddle parts and gets the audience worked up with its pace and rhythm. Lake Harriet sees Carrie sing of her lover’s charms as she lays down a gentle percussive backing with her finger clicks and very effective too. Get Back in Love is a gentle vignette of lasting love and dedicated to couples who stay the course over many years of marriage. I Cry for Love and I Don’t Mind Waiting are two songs with a similar theme of being prepared to have patience in the face of a yearning for that soul mate to appear.

Carrie also sings a number of songs from her family upbringing in Mexico and references her Great Aunt who was a famous Ranchera singer. Mixing the Spanish tongue with the passion of Mexico, Carrie sings from the heart and a new release next year will contain a number of these new songs that are beautifully performed and played with sensitivity.

She goes back to her first release and sings the title track, Seven Angers on a Bicycle, a very moving song dedicated to her childhood friend who was killed in his early 20’s in an accident in NYC. The playing on this song was very heartfelt and the lap steel accompaniment from Luke was a perfect foil for Carrie to create a rhythmic guitar sound.

Luke Jacobs plays a few songs from his solo release, produced by Carrie, and he is a natural raconteur with his between song stories full of fun and colour. He tells of his encounter with drug dealers in Minnesota on a cold winter night when they rescued him from a car breakdown; only to be busted by the cops shortly after. He recalls his first Opera experience of Faust and then sings us a three minute country song that condenses the entire story of selling your soul to the Devil.

He is also a fine musician and dove-tails perfectly with the swoops and changes of direction taken by Carrie as, she plays in the moment. There is almost a jazz quality to some of the interplay between the two musicians and this is very exciting to witness at such close quarters.

Carrie plays a couple of fiddle tunes solo and displays all her mesmerising skills in a performance as exciting, as it is technically strong. She regularly stomps her foot in time to her playing and this adds an extra dimension to the performance. Carrie is full of passion and this is highlighted in her playing style and her impressive vocal range.

She also comes across as a very warm and joyful person and her maturity as a performer sees her as one of the best examples of new music to appear over the recent years.

I would urge you to catch one of her shows and to listen to her back catalogue of five solo albums, together with a number of collaborations with other artists.

A word for the support act of Kate O’Callaghan and her husband, Seamus Devenny, who play a beautifully restrained opening set laced with gentle guitar and violin. A perfect way to set the atmosphere for the main event tonight. I have been fortunate to catch this act on a few occasions now and they always impress, with an new depth and maturity now added to their undoubted talents, as they continue to grow as artists.

Review and picture by Paul McGee

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